So Tufte and GOOD Magazine have been my home boys for the last couple of months. Here are some dudes whose graphic design prowess, specifically in infographics, is unmatched.
26.12.09
Infographics
If you remember I posted previously about the awesome work done over at GOOD magazine, specifically in the department of GOOD Transparencies. I have been kicking my ass at work lately attempting to convey a ridiculous amount of data into an easy to understand graphic.
So Tufte and GOOD Magazine have been my home boys for the last couple of months. Here are some dudes whose graphic design prowess, specifically in infographics, is unmatched.
So Tufte and GOOD Magazine have been my home boys for the last couple of months. Here are some dudes whose graphic design prowess, specifically in infographics, is unmatched.
13.12.09
moleskine collection I
just went digging through some older moleskines i had laying around - the following are from 3 skines all of which went on a couple travels to europe with me - i'll post another series soon ...
_cliff dwellings
composed of planes, lines and points along cliffs these creations cantilever over canyon rims, cliff edges etc. the concept that they are temporary and can be anchored to the earth and cliff sides with structural components by drilling and hanging fastening.
_kinetic iterations
fluid pieces of objects, materials, moving parts assemblages and fragment amalgamations compose these concepts of imagined architectures. scale is left to the imagination. i think of time pieces blown up in scale. these are quick vingnettes plan/elevations/sections of an object - i draw these quickly with pencil first, usually never picking up the point, (similar to the idea behind the singing line in japanese prints) ink the pencil, add dashed lines representing layering of parts and then fill in parts that are critical or unique.
where do these go now? they are really just snippets of a larger idea ... how would one take it to the next level?
_cliff dwellingscomposed of planes, lines and points along cliffs these creations cantilever over canyon rims, cliff edges etc. the concept that they are temporary and can be anchored to the earth and cliff sides with structural components by drilling and hanging fastening.
_kinetic iterations
fluid pieces of objects, materials, moving parts assemblages and fragment amalgamations compose these concepts of imagined architectures. scale is left to the imagination. i think of time pieces blown up in scale. these are quick vingnettes plan/elevations/sections of an object - i draw these quickly with pencil first, usually never picking up the point, (similar to the idea behind the singing line in japanese prints) ink the pencil, add dashed lines representing layering of parts and then fill in parts that are critical or unique.
where do these go now? they are really just snippets of a larger idea ... how would one take it to the next level?
29.11.09
Hurricanes & Birthday Cake - 12x12 exhibit
piece for 12x12 exhibit
mixed media_ink, pencil, envelope, white out, old text books, masking tape & glue
mixed media_ink, pencil, envelope, white out, old text books, masking tape & glue
25.11.09
23.11.09
22.11.09
some logos
hey dudes,
lets spice the season up a little. everyone throw down a quick sketch of what our 'the big 4401' logo should look like and we can collab, mashup, use, post whatever we come up with for 2010. just thought we could energize the site a little and its a fun collab we can all do in about 20 min.
_jeremy 01
lets spice the season up a little. everyone throw down a quick sketch of what our 'the big 4401' logo should look like and we can collab, mashup, use, post whatever we come up with for 2010. just thought we could energize the site a little and its a fun collab we can all do in about 20 min.
_jeremy 01
19.11.09
17.11.09
CONTINUOUS THISTLES
CONTINUOUS THISTLES- Advanced Drawing Procedures
(1) Digital scripting tests explored within Processing, then exported as a live vector source:
(2) Digital to Analog filtration is expressed by various fabrication techniques allowing for new opportunities:
(3) Analog stitching on acrylic plates provides an enhanced intended relationships and connections. All stitching is one continuous thread:
(4) A triptych is then used to describe an iterative series and sequence of opportunities within the designer's applied rule sets:
(1) Digital scripting tests explored within Processing, then exported as a live vector source:
(2) Digital to Analog filtration is expressed by various fabrication techniques allowing for new opportunities:
(3) Analog stitching on acrylic plates provides an enhanced intended relationships and connections. All stitching is one continuous thread:
(4) A triptych is then used to describe an iterative series and sequence of opportunities within the designer's applied rule sets:
11.11.09
triptych collage work from 4401
a wind in the door collage_
created 05 may, 2007 at the 4401
text book, india ink, pencils, glue adhered to birch plywood scrap.
dove collage_
created 10 may, 2007 at the 4401
text book, india ink, pencils, glue adhered to birch plywood scrap.
venice collage_
created 12 may, 2007 at the 4401
text book, india ink, pencils, glue adhered to birch plywood scrap.
blip_
I created this series of of collages with inspiration of found imagery, textures, objects, words, numbers and scenes - then interpreted, placed, and arranged the scenes. adding motion to the flatness of the collage with illustrative systems of simple machines like pin connections, joints, pulleys, ropes, hatches, swing arms assert movement. each panel/fold is representative of an act, a starting point and together are one play.
created 05 may, 2007 at the 4401
text book, india ink, pencils, glue adhered to birch plywood scrap.
dove collage_
created 10 may, 2007 at the 4401
text book, india ink, pencils, glue adhered to birch plywood scrap.
venice collage_
created 12 may, 2007 at the 4401
text book, india ink, pencils, glue adhered to birch plywood scrap.
blip_
I created this series of of collages with inspiration of found imagery, textures, objects, words, numbers and scenes - then interpreted, placed, and arranged the scenes. adding motion to the flatness of the collage with illustrative systems of simple machines like pin connections, joints, pulleys, ropes, hatches, swing arms assert movement. each panel/fold is representative of an act, a starting point and together are one play.
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