8.5.09

Twat Me!



Another great article on BLDGBLOG check this shizzy out : a rather inflamed discussion about Twitter.

The BLDBLOG post has much to do with architecture contrary to the author's caveat. Twitter, a new form of digital communication allows the ability to communicate and respond while providing a multitude of possibilities within the broad realm of architecture. The OP-Ed by Maureen Dowd, from the NY TIMES, from where the original post initiates, however, has little concern with architecture and lacks substance. Dowd is a critic and has a history of writing for established publications - and yet her Twitter Op-Ed (more of a documented interview) does not reflect her abilities.

The way we engage one another within/without spaces, through written literature, oral language, imagery, art, voice, song etc. shapes the culture, society and structure of living. The documentation of history is an episodic collection of these engagements. This documentation takes a form, prior to the digital age these documents were created in analog format. The author of the blog 'HOW THE OTHER HALF WRITES: IN DEFENSE OF TWITTER' defends Twitter as a valid form of note taking because it has constraints.

"The fact that so many people now use Twitter as a public email system, or as a way to instant-message their friends in front of other people, is immaterial; Twitter is a note-taking technology, end of story. You take short-form notes with it, limited to 140 characters. The clichéd analogy here has been with Japanese haiku, but perhaps we might even reference the Oulipo: in other words, Twitter means that you are writing, but you are writing within constraints."


Oulipo: The group defines the term 'littérature potentielle' as (rough translation): "the seeking of new structures and patterns which may be used by writers in any way they enjoy." & "...he group devises new techniques, often based on mathematical problems..."

Oulipo Example Work: "Queneau's Cent Mille Milliards de Poèmes is inspired by children's picture books in which each page is cut into horizontal strips which can be turned independently, allowing different pictures (usually of people) to be combined in many ways. Queneau applies this technique to poetry: the book contains 10 sonnets, each on a page. Each page is split into 14 strips, one for each line. The author estimates in the introductory explanation that it would take approximately 200 million years to read all possible combinations."



Oulip Example Constraint: The "N+7" method: Replace every noun in a text with the noun seven entries after it in a dictionary. For example, "Call me Ishmael. Some years ago..." (from Moby-Dick) becomes "Call me islander. Some yeggs ago...". Results will vary depending upon the dictionary used. This technique can also be performed on other lexical classes, such as verbs.

The assumed defense of Twitter's capabilities supported by the Oulipo method of constraints is short winded and dwindles into a rant better suited for the pro's and con's of ANALOG vs.DIGITAL. The Oulipo method engages a creator in a series of constraints that they themselves define mathematically. The cited N+7 constraint and Queneau's Cent Mille Milliards de Poèmes are each analog methods. There is no digitalization required.

Question the digital constraints of Twitter. 1. electricity 2. computer with keyboard 3. free subscription to Twitter 4. web browser to support twitter 5. cell phone/iphone 6. Twitterer 7. Twittee 8. limit of 140 characters 9. misc. other constraint
How do these constraints enhance, exonerate, probe, develop and inspire creativity? I do not have a Twitter account and do not fully understand the desire for digital note taking? The creators have developed a widget capable of conveying notes, messages, alerts etc. My assumption: Twitter is an enhanced chat.

What is Twitter? From www.twitter.com
"Twitter is a service for friends, family, and co–workers to communicate and stay connected through the exchange of quick, frequent answers to one simple question: What are you doing?"

From the Twitter Blog:
"Every public update sent to Twitter from anywhere in the world 24/7 can be instantly indexed and made discoverable via our newly launched real-time search. What was that loud noise outside your apartment? Did you just feel an earthquake? What do people think about your company, your product, or your city? With this newly launched feature, Twitter has become something unexpectedly important—a discovery engine for finding out what is happening right now."

The BLDBLOG author continues the rant arguing that a ball point pen/journal are comparable to Twitter. A pen and a journal have constraints other than the physical nature of the object. If you use the pen to write/draw then all the ink is used eventually. If you use a journal for collage, post cards, drawing, folding etc. These constraints are independent of the constraints used for Twitter's defense. The author has created an argument to compare two separate objects. Digital Note Taking vs. Infinite variations of ideas. Variables of each form ANALOG vs. DIGITAL provide a drastically different set of parameters.

Thoughts? I have never used Twitter. Not that I don't intend to but I have plenty of paper to recycle and personally I'd much rather post my artwork and writing where people interact with real tangible spaces.

Big bad Corporate at&t gives way to green... with a lot of pushing.

click the link, I couldn't make the video work, grrr...

Check it-

The past few years of my life/work life/lack of real life due to insane work life has been spent working on projects for at&t. I've been pushing and pushing them to change the way the way their Corporate Real Estate dept. handles design and construction. Concepts like biophilia and phylogenetics, using salvaged material and hardware, and updating plumbing and lighting fixtures. I've bitched, complained, and pleaded. And watch out, now they're listening. The link is to a news report about a project that I just finished which has been gaining attention here in San Antonio.

Basically we're using water which was previously a nuisance to the building causing soil movement and structural problems, and designed a system to control and fully harness the natural resource to provide water for toilets, landscaping, and mechanical equipment. We are even looking into getting the existing building LEED certified. This system saves at&t, it's customers, SAWS, and local tax-payers money. I've been pushing and pushing at&t to change their wasteful ways, it seems they're catching on, and it's nice to see that others in the community appreciate our efforts.

Welcome to the NEW at&t.

6.5.09

sam potts


SAM POTTS

watch the ted - 1. yea you heard eggers 2. he name drops his friend 3. i dutifully check out this wonderfully inspiring and talented desigener's website 4. how sarcastic that he already knows why i am here 6. click on work >> look left >> see the little pink link >> it says>>'probably why you are here' very clever Potts! very clean. very intelligent. very sarcastic. very lovely. very factual.

dave eggers

check this TED




thought we all might like an upper after Josh's rant

4.5.09

Architectes de l'Urgence

Australia Canada France
This was the best lecture I witnessed in attendance of the 2009 AIA convention in San Fransisco. The weekend was packed with lectures, expo, vendors, representatives, architects, students and San Fransisco. The following lecture was an explanation of the projects of Emergency Architects. This idea/firm is spreading around the globe. I had the chance to see the presentation and hear Q & A. The team is a collaboration across a number of continents. Much like Architecture for Humanity the teams devote themselves to assisting communities in developing countries. However, they do not limit themselves to merely developing countries. The premise is to devise, invent, educate, and develop techniques in areas requiring disaster relief. The disasters do NOT have to be geologic disasters. They point out inequities of existing UN, UNESCO, RedCross relief systems and devise solutions, often working with the local populations. Sometimes this results in architecture, but more likely it results in learning and education. The prominent issue that I gathered was that disaster areas need an open method of communication and and open mind to educate the local communities. The answer was NOT merely a 'super architectural' solution. An example being that a UN school had been built and while that was a helpful structure the community had NO teachers and therefore was in existence unused currently helping no one.

4 main disaster relief points learned from presentation of president Patrick Coulombel
1. provide know-how
2. transfer know-how
3. identify construction
4. implement sustainable techniques for specific population/region

The discussion and examples of architecture did a fantastic job of addressing the varying disaster relief efforts. More could have been discussed in regards to how the foundation works, is funded ( a question posed & answered), the politics of disaster relief architecture, collaborations with other pursuits/firms/agencies etc, and how to continue involvement in this process. I have since googled and looked on TED for more on this group. Most of the information resides on their websites. I would like there to be discussion regarding this topic. It was a very focused topic throughout the convention. The AIA should post soon all the lectures and their respective information. AIA seminar info

wiki: website

william kentridge


Kentridge Exhibit at SFMOMA

A fabulous collection of work is on exhibit currently in the Museum of Modern Art by architect Mario Botta in San Fransisco. South African based William Kentridge supplies an unending reel of inpsiring, breathtaking, soulful inner samples, documentarian approaches to life, art, apartheid and the continuing expansiveness of the human. His work manifests in multiple media types, charcol, ink, sketch, sculpture, mixed-media, film, installations, and compositions. The geometric aspects of this artist breach the artistic and explore the tangents of film, architecture, humanity and all the goodies of feelings real art should. His collaboration with composer Phillip Miller is part of the process that rarely accompanies art found in museums. I had the recent pleasure of seeing the exhibit and was completely moved and inspired. What interested me the most was the use of objects, he constructed a mini black box theatre complete with a perspective built diorama, computer controlled animatronic collage and what I assume to be stop motion filming. The down and dirty approach to his work is impressive. Please research and investigate this artist. I do not know the location of the next exhibit, but it is more than a worthwhile experience, it is NOT boring, tiring, or irritating. The exhibit was very well curated and took the individual on a safari through the series of pieces.

Books purchased William Kentridge, (Repeat) from the Beginning & Five Themes

Most notable piece Black Box

William Kentridge